So great was the witches’ knowledge that in 1527, Paracelsus, considered the ‘father of modern medicine,’ burned his text on pharmaceuticals, confessing that he ‘had learned from the Sorceress all he knew.’

Barbara Ehrenreich and Deirdre English, Witches, Midwives, & Nurses (via catalytic-chamber)

I read a historical novel where Paraclesus hangs out with lesbian witches and I guess it was based more on truth than I thought.

(via spacedyke)

Smart man.

(Reblogged from theheadlesshashasheen)

america-wakiewakie:

Studies Confirm the Dehumanization of Black Children and the ‘Preschool-to-Prison Pipeline’ | Common Dreams 

Although African-Americans constitute only 13 percent of all Americansnearly half of all prison inmates in the U.S. are black. This startling statistic has led the United Nations Human Rights Committee to publicly criticize the U.S. for its treatment of African-Americans. A number of recent studies and reports paint a damning picture of how American society dehumanizes blacks starting from early childhood.

Racial justice activists and prison abolition groups have long argued that the “school-to-prison” pipeline funnels young black kids into the criminal justice system, with higher rates of school suspension and arrest compared with nonblack kids for the same infractions. More than 20 years ago, Smith College professor Ann Arnett Ferguson wrote a groundbreaking book based on her three-year study of how black boys in particular are perceived differently starting in school. In “Bad Boys: Public Schools in the Making of Black Masculinity,” Ferguson laid out the ways in which educators and administrators funneled black male students into the juvenile justice system based on perceived differences between them and other students.

Today this trend continues with record numbers of suspensions as a result of “zero-tolerance” school policies and the increasing presence of campus police officers who arrest students for insubordination, fights and other types of behavior that might be considered normal “acting out” in school-aged children. In fact, black youth are far more likely to be suspended from school than any other race. They also face disproportionate expulsion and arrest rates, and once children enter the juvenile justice system they are far more likely to be incarcerated as adults.

Even the Justice Department under President Obama has understood what a serious problem this is, issuing a set of new guidelines earlier this year to curb discriminatory suspension in schools.

But it turns out that negative disciplinary actions affect African-American children starting as early as age 3. The U.S. Department of Education just released a comprehensive study of public schools, revealing in a report that black children face discrimination even in preschool. (That preschool-aged children are suspended at all is hugely disturbing.) Data from the 2011-2012 year show that although black children make up only 18 percent of preschoolers, 42 percent of them were suspended at least once and 48 percent were suspended multiple times.

Consistent with this educational data and taking into account broader demographic, family and economic data for children of various races, broken down by state, is a newer study released this week by the Annie E. Casey Foundation that found African-American children are on the lowest end of nearly every measured index including proficiency in math and reading, high school graduation, poverty and parental education. The report, titled Race for Results, plainly says, “The index scores for African-American children should be considered a national crisis.”

(Read Full Text) (Photo Credit: Shutterstock)

Ugh.

(Reblogged from witchsistah)

Anonymous asked: Salamecum tata, someone who has taught me a lot about palo passed away more than a decade ago and I'm not in position to find a new nzo, however I'd be happy to help folk using what I know w/e hiding behind terms like 'witchcraft', when I well damned know what I was taught has names and which people fought so bloody hard to uphold the tradition. What should I do to stay honest to the living /and/ dead alike in that case? Just backing off and pretendin' I ain't got a clue wouldn't work, I tried.

Maleco nsala, you gotta work what you have licensia to work. If you are a Tata or Yaya, you work what you’ve learned and honor the muertos the way you’ve learned. You may need to start your own small munanso to enable these teachings to live. If you’re an engeuyo, there is less you can do….but you still work what is inside of you. Just do it in the way spirit requires.

unscriptedme:

shanellbklyn:

yagazieemezi:

Get To Know: Artist André Hora

André Hora is a Brazilian/British artist and freelance illustrator whom I met in a chilly New York last year. At that time, we found ourselves in the company of Artist Tim Okamura during a personal interview regarding his popular paintings. On the rooftop of Tim’s art studio, André and I looked over at the city of Manhattan splayed out in front of us and it was there I learnt about his art. We discussed his different influences within the art world and I was so fascinated by his work that I later had to contact him for an interview.

Y: Can you tell us a little bit about your art? Some of your pieces have a distinct African flare to them. With the several cultural and identity labels within Brazil, have any of them affected you as an artist and in what ways?

André: I would define my art as narrative, especially the late works, almost all of which are telling a story, a myth or describing a day-to-day situation. On my early works we see a lot of faces and skulls – I was obsessed by the human head!  I didn’t attend a formal art school, although I learnt to draw at a very early age with my Dad (who is an architect), and since then I have attended several private lessons and workshops in Brazil, France and in the UK where I am based. I am drawn to Afro-Brazilian culture and particularly to Yoruba mythology as we find in Candomblé (a mixture of traditional Yoruba, Fon, Ewe and Bantu beliefs).  Not only because I come from Bahia, but because my great-great-grandmother was a slave. I was always fascinated by this ancestor of mine I knew so little about. So from my Portuguese, Native American and African origins, I find myself very influenced on my art by the latter – both aesthetically and philosophically.

(read more of the interview)

Website / Facebook / Twitter / Instagram

Dedicated to the Cultural Preservation of the African Aesthetic

This is beautiful! unscriptedme
shanellbklyn Thank you for tagging me! I absolutely love it! Beautiful.

Beautiful

(Reblogged from christopheralopez)
(Reblogged from swissshard)
(Reblogged from theheadlesshashasheen)

thepoeticrebel:

cosbyykidd:

journeytogirly:

HAPPY BLACK CHILDREN PERFORMING PHARRELL’S HAPPY.

*cries while giggling all at the same time*

Stay that way, babies. Stay that way.

I see you Detroit!!

Whaaaaatttt, DAS has changed so much lol. Thas wassup!

Damn these kids are cute!

(Reblogged from blackproverbs)

soul-service:

o-leaozinho:

Jarina De Marco - Spell On You

So nice…I had to post it twice!

This is awesome.

(Reblogged from theelonelystarr)

jack-frost-froze:

mrfalling12345:

OMG WHAT DID I DO!?

For mobile just hold the reblog button

I LEARNED A THING

(Source: funny-gif-1)

(Reblogged from thatssomedetroitshit)

fromonesurvivortoanother:

blackinasia:

Source: Truths You Won’t Believe

Debunking more lies and racist misinformation about black men. Stop the ignorance and start to question why these myths exist in the first place, if not to demonize black men and promote the image of us as inherently criminal and violent and incapable of being educated. 

also the myth of Black people being lazy/unemployed

Yup.

(Source: owning-my-truth)

(Reblogged from thatssomedetroitshit)